click to enlarge
Burin engraving
Don Quixote and Sancho's figures are very realist; good portraits.
Don Quixote's image is more remarkable, with excellent drawing and engraving.
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click to enlarge |
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| Image | 1837-Paris-Huzard-01-003 |
| Illustration No. | 1 |
| Illustrator | Achille Jacques Jean Devéria |
| Engraver | Unknown |
| Lithographer | |
| Title Caption | Sancho vient retrouver Don Quichotte, dans la montagne noire, soupirant toujours pour sa Dame Dulcinée. |
| Title Supplied | |
| Part | Part I, Madrid 1605 |
| Chapter | Chapter 29 |
| Subject |
29.1 SP talks to the Priest and barber about DQ |
| Illustration Type |
Chapter illustration |
| Technique |
Etching (acquaforte) Burin engraving |
| Color | Black and white |
| Volume | I |
| Page Number | f.p. 209 |
| Image Dimension | 118 x 92 |
| Page Dimension | 205 x 125 |
| Commentary | This scene alludes to what Sancho tells to the priest and the barber about how he had found don Quixote; "desnudo en camisa, flaco, amarillo y muerto de hambre, y suspirando por su señora Dulcinea; y [...] que estaba determinado de no parecer ante su fermosura hasta que hobiese hecho hazañas que le hiciesen digno de su gracia" (29:1).
Don Quixote and Sancho's figures are very realist; good portraits. Don Quixote's image is more remarkable, with excellent drawing and engraving. |
| Notes | 1 – Same plate first used for Paris: Delongchamps, 1825. |