click to enlarge
2 - The tailpiece is signed, but the name is un-readable (Belbaite?).
|
click to enlarge |
|
| Image | 1842-London-Bohn-01-017 |
| Illustration No. | 1 |
| Illustrator | Tony Johannot |
| Engraver | Unknown |
| Lithographer | |
| Title Caption | |
| Title Supplied | The name of Dulcinea |
| Part | Part I, Madrid 1605 |
| Chapter | Chapter 1 |
| Subject |
1.3 AQ names self DQ, his horse (Rocinante), and lady (Dulcinea) |
| Illustration Type |
Tailpiece |
| Technique |
Wood engraving or Xylography |
| Color | Black and white |
| Volume | I |
| Page Number | 19 |
| Image Dimension | 28 x 26 |
| Page Dimension | 250 x 155 |
| Commentary | The name of "Dulcinea" surrounded by elements that allude to her as a peasant girl (wheats and fruits) and as a dame (crown, pearl collar and fur cloak). |
| Notes | 1 - Same tailpiece and wooden block first used for Paris: Dubochet, 1836-37.
2 - The tailpiece is signed, but the name is un-readable (Belbaite?). |