It is remarkable the variety of gestures and expressions of the figures surrounding Basilio and Quiteria.
Some of the guests are dressing very elaborated clothes (robes and headdresses); they are not too much Spanish.
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| Image | 1935-New-York-Jackson-03-061 |
| Illustration No. | 1 |
| Illustrator | Paul Gustave Louis Christophe Doré |
| Engraver | Héliodore Joseph Pisan (reproduced by process) |
| Lithographer | |
| Title Caption | ENTONCES LA HERMOSA QUITERIA, TRISTE Y PESAROSA, LLEGÓ DONDE BASILIO ESTABA |
| Title Supplied | |
| Part | Part II, Madrid 1615 |
| Chapter | Chapter 21 |
| Subject |
21.1 Basilio’s deception |
| Illustration Type |
Chapter illustration |
| Technique |
Process / Photomechanical technique |
| Color | Black and white |
| Volume | III |
| Page Number | f.p. 194 |
| Image Dimension | 100 x 127 |
| Page Dimension | 155 x 217 |
| Commentary | Basilio, pretending to have stabbed himself, gets married with Quiteria; also Camacho (behind Quiteria), the priest holding Basilio's body, don Quixote and Sancho.
It is remarkable the variety of gestures and expressions of the figures surrounding Basilio and Quiteria. Some of the guests are dressing very elaborated clothes (robes and headdresses); they are not too much Spanish. |
| Notes | 1 - Reproduced after Paris: Hachette, 1863. |