click to enlarge
Also accurate to Cervantes' text, a pillar with an inscription between the ape and the crocodile.
Good caricature/drawing style and good coloring.
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click to enlarge |
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| Image | 1945-Paris-Cotinaud-04-010 |
| Illustration No. | 1 2 |
| Illustrator | Jacques Touchet / watercolored by Maurice Beaufumé |
| Engraver | |
| Lithographer | |
| Title Caption | |
| Title Supplied | The giant Malambruno, mounted on Clavileño, punishes Antonomasia, Clavijo and Trifaldi |
| Part | Part II, Madrid 1615 |
| Chapter | Chapter 39 |
| Subject |
39.1 Trifaldi’s story continues |
| Illustration Type |
Head vignette |
| Technique |
Process / Photomechanical technique |
| Color | Watercolored |
| Volume | IV |
| Page Number | 16 |
| Image Dimension | 93 x 121 |
| Page Dimension | 240 x 190 |
| Commentary | Malambruno transforms Antonomasia and don Clavijo into an ape of brass and a crocodile of an unknown metal and then he seizes Trifaldi by her hair as though he meant to cut her throat with his scimitar.
Also accurate to Cervantes' text, a pillar with an inscription between the ape and the crocodile. Good caricature/drawing style and good coloring. |
| Notes |