click to enlarge
Aquatint
Good light and shade effects through the trees.
"...es pura españolada, la primera auténtica con que tropezamos en nuestro viaje a través de los siglos y de las naciones" (GG 196).
|
click to enlarge |
|
| Image | 1819-London-McLean-03-004 |
| Illustration No. | 1 |
| Illustrator | John Heaviside Clark |
| Engraver | Unknown |
| Lithographer | |
| Title Caption | DON QUIXOTE AND SANCHO AT THE MARRIAGE OF CAMACHO |
| Title Supplied | |
| Part | Part II, Madrid 1615 |
| Chapter | Chapter 20 |
| Subject |
20.1 Wedding of Camacho |
| Illustration Type |
Chapter illustration |
| Technique |
Etching (acquaforte) Aquatint |
| Color | Colored |
| Volume | III |
| Page Number | f.p. 217 |
| Image Dimension | 113 x 89 |
| Page Dimension | 270 x 127 |
| Commentary | This scene was first represented by Coypel (Paris: Surugue, 1724), but in a quite different way. Don Quixote and Sancho (on the left) are mere viewers of the dance of shepherds; the pair of dancers, in the center, have been represented as goyescas figures; they are quite remarkable.
Good light and shade effects through the trees. |
| Notes | Cushing Library also has a set where this illustration is missing.
"...es pura españolada, la primera auténtica con que tropezamos en nuestro viaje a través de los siglos y de las naciones" (GG 196). |