Vierge's style is absolutely masterly.
Notice the perfect use of shading.
Usual in Vierge's illustrations, some element in black creates a worth noting contrast.
His short and fine drawing lines imitate etching.
|
|
|
| Image | 1906NewYork-03-006 |
| Illustration No. | 1 |
| Illustrator | Daniel Urrabieta Vierge |
| Engraver | |
| Lithographer | |
| Title Caption | The Vicar |
| Title Supplied | |
| Part | Part II, Madrid 1615 |
| Chapter | Chapter 2 |
| Subject | |
| Illustration Type |
Vignette |
| Technique |
Process / Photomechanical technique |
| Color | Black and white |
| Volume | III |
| Page Number | 23 |
| Image Dimension | 95 x 87 |
| Page Dimension | 255 x 180 |
| Commentary | Remarkable portrait of the priest.
Vierge's style is absolutely masterly. Notice the perfect use of shading. Usual in Vierge's illustrations, some element in black creates a worth noting contrast. His short and fine drawing lines imitate etching. |
| Notes | 1 - Vierge's original drawings (Chinese ink and wash) were reproduced by photogravure (notice the plate mark); the specific technique used, heliogravure, allows an excellent reproduction both of the original wash halftones and of the lines. |