Vierge's style is masterly; well-drawn and detailed figures.
Usual in Vierge's illustrations, some element in black creates a worth noting contrast.
His short and fine drawing lines imitate etching.
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| Image | 1906NewYork-03-058 |
| Illustration No. | 1 |
| Illustrator | Daniel Urrabieta Vierge |
| Engraver | |
| Lithographer | |
| Title Caption | Master Peter and his ape |
| Title Supplied | |
| Part | Part II, Madrid 1615 |
| Chapter | Chapter 27 |
| Subject |
27.1 Identity of Maese Pedro revealed (Ginés de Pasamonte) |
| Illustration Type |
Vignette |
| Technique |
Process / Photomechanical technique |
| Color | Black and white |
| Volume | III |
| Page Number | 297 |
| Image Dimension | 115 x 77 |
| Page Dimension | 255 x 180 |
| Commentary | Detailed portrait of Maese Pedro (Ginés de Pasamonte) and his monkey.
Vierge's style is masterly; well-drawn and detailed figures. Usual in Vierge's illustrations, some element in black creates a worth noting contrast. His short and fine drawing lines imitate etching. |
| Notes | 1 - Vierge's original drawings (Chinese ink and wash) were reproduced by photogravure (notice the plate mark); the specific technique used, heliogravure, allows an excellent reproduction both of the original wash halftones and of the lines. |